Infinity Series 484
Magnificent Highly Defined Sound
Developed with Rodgers’ new Natural Pipe Realism™ technology, the sound of Infinity Series organs is simply glorious. The specification spans various tonal genres, providing extraordinary musical expressiveness and versatility. Rodgers’ unique sampling process with up to 8 microphones captures the most detailed, authentic pipe organ sounds ever. With state-of-the-art Dimensional Sound Placement technology, the distribution of the sound creates an unprecedented level of realism. The Infinity Series, based on Roland’s powerful SSC technology, delivers the most authentic pipe organ sound available in a digital organ.
Extensive Onboard Library Access™
Rodgers’ long-standing leadership in instantly available organ flexibility has now been expanded with Library Access™ controls. Library Access allows the addition of any selection from the built-in Sound Library featuring 121 organ stops and 59 premium orchestral voices. Each selection can be user-voiced for volume, octave shift, tuning, warmness, presence, and brilliance, then saved to a piston for instant recall. The Model 484 has two Library Access controls each for the Swell, Great, Choir and Pedal divisions and one for the Solo division. See the complete list.
Exquisite Console Construction
The Infinity Series premieres elegant new console designs finely crafted from top-quality rift-sawn hardwood veneers in dark, medium and light oak standard finishes or optional custom finishes. Classic square, traditional plain and elegant cathedral side trim are available. Every Infinity Series organ comes with a glass-top lattice music desk that adjusts in four directions, an adjustable bench with music storage compartment, a central LCD menu screen, premium console trim, and a locking rolltop. LED lighted drawknobs come standard (LT model), with optional mechanical action controls (MV model).
Note-Worthy Keyboards & Pedalboards
PerformanceTouch keyboards with Ivory Feel surfaces are a Rodgers exclusive feature, with optional tracker-touch available. They’re velocity-sensitive to allow delicate control of MIDI orchestral voices. Optional velocity-sensitive wood keyboards are available in a variety of key surface coverings, manufactured by Ulrich Hermann Tastaturbau in Germany (available in 2013). Rodgers’ distinctive self-contained 32-note concave, radiating pedalboard automatically calibrates precise firing and release points. The pedal keys are also velocity-sensitive, ideal for orchestral voices such as Timpani. Optional parallel pedalboard available.
Innovative Performance Features and Luxury Come Standard
The Infinity Series continues Rodgers’ leadership in digital pipe organ technology.
- User-customizable functions for thumb pistons, toe pistons, and rocker tabs
- Extensive user voicing capabilities
- Organ Type piston instantly activates American Eclectic, English Cathedral, French Romantic or German Baroque stops, with no loss of ability to select from the entire stoplist
- Full general and divisional combination action
- Built-in record/playback system
- Hymn Player with 350 popular hymn tunes including prelude & verse, with the ability to change the tempo, volume, key, and stop registration
- 99 internal memory levels
- USB storage for song data (up to 2,574 memory levels per USB drive)
- Adjustable Zimbelstern, Tremulants, Crescendo sequence, and Tutti registration
- Piston sequencer (Next, Previous)
- Easy-to-read central LCD screen for menus and adjustments
- Transposer for real-time performance or playback of song data files
- Pipe-ready to play new or existing pipe configurations
- Full MIDI system ready for an external sound module
- Headphone jack included for silent practice.
- Fully-adjustable music desk for just the right playing position
- Premium adjustable bench with music storage
Model 484 Sample Specification
Couplers | Engraved Stop | Voice Palette 1 | Voice Palette 2 | Voice Palette 3 |
---|---|---|---|---|
GREAT | ||||
Swell to Great 16 | MONTRE 16' | Violon 16' | Prestant 16’ | Bourdon 16’ |
Swell to Great 8 | DIAPASON 8’ | Voce Umana II 8’ | Dulciana Celeste II 8’ | |
Swell to Great 4 | PRINCIPAL 8’ | Open Diapason 8’ | Octave 8’ | Montre 8’ |
Choir to Great 16 | FLÛTE HARMONIQUE 8’ | Gemshorn Celeste II 8’ | ||
Choir to Great 8 | CHIMNEY FLUTE 8’ | Bourdon 8’ | Rohrgedeckt 8’ | |
Choir to Great 4 | GEMSHORN 8’ | 2nd Diapason 8’ | Salicional 8’ | Gamba 8’ |
Solo to Great 8 | OCTAVE 4’ | Principal 4’ | Octav 4’ | Prestant 4’ |
SPITZFLÖTE 4’ | Open Flute 4’ | Rohrpfeife 4’ | ||
QUINTE 2-2/3’ | Tierce Mixture V | Cornet V | ||
SUPER OCTAVE 2’ | Waldflöte 2’ | Superoctav 2’ | Doublette 2’ | |
FOURNITURE V | Rauschwerk IV | Mixtur IV | Fourniture XI | |
CYMBAL IV | Acuta IV | Trompete 16’ | ||
POSAUNE 16’ | Trombone 16’ | |||
TROMPETE 8’ | Trumpet 8’ | |||
CHIMES | Handbell Choir | |||
ZIMBELSTERN |
Couplers | Engraved Stop | Voice Palette 1 | Voice Palette 2 | Voice Palette 3 |
---|---|---|---|---|
SWELL | ||||
Swell to Swell 16 | BOURDON AMABILE 16' | Contre Gambe 16' | Contre Gambe Celeste II 16’ | |
Swell Unison Off | DIAPASON 8' | Geigen Diapason 8' | ||
Swell to Swell 4 | FUGARA 8’ | Gambe 8’ | ||
Choir to Swell 8 | TRAVERSE FLUTE 8’ | Flute Harmonique 8’ | ||
Choir to Swell 4 | BOURDON 8’ | Stopped Diapason 8’ | Fern Flute 8’ | |
Solo to Swell 8 | FLÛTE CÉLESTE II 8’ | Unda Maris II 8’ | Viole des Anges II 8’ | Schwebung II 8’ |
VIOLE DE GAMBA 8’ | Salicional 8’ | Viola 8’ | Viole Celeste II 8’ | |
VIOLE CÉLESTE 8’ | Voix Céleste 8’ | Viola Céleste 8’ | Viola Céleste II 8’ | |
AEOLINE CÉLESTE II 8’ | Aeoline 8’ | |||
PRESTANT 4’ | Viol Octave 4’ | Violinas II 4’ | Unda Maris II 4’ | |
FLÛTE TRAVERSIÈRE 4’ | Echo Flute 4’ | |||
NAZARD 2-2/3’ | Twelfth 2-2/3’ | |||
OCTAVIN 2’ | Fifteenth 2’ | |||
TIERCE 1-3/5’ | Cornet III | |||
CHORUS MIXTURE IV | Plein Jeu IV | Fourniture V | Grosse Fourniture III | |
CYMBAL VI | Scherp III | |||
DOUBLE TRUMPET 16’ | Contre Trompette 16’ | Bombarde 16’ | Fagotto 16’ | |
TRUMPET 8’ | Trompette 8’ | Trompette 8’ | ||
HAUTBOY 8’ | Hautbois 8’ | Hautbois 8’ | Rohr Schalmei 8’ | |
VOX HUMANA 8’ | Voix Humaine 8’ | Voix Humaine 8’ | ||
CLARION 4’ | Clairon 4’ | Clairon 4’ | Schalmei 4’ |
Couplers | Engraved Stop | Voice Palette 1 | Voice Palette 2 | Voice Palette 3 |
---|---|---|---|---|
CHOIR | ||||
Swell to Choir 16 | ERZÄHLER 16’ | Bourdon 16’ | Dulciana Celeste II 16’ | Quintaton 16’ |
Swell to Choir 8 | MONTRE 8’ | Principal 8’ | Octave 8’ | |
Swell to Choir 4 | GEDACKT 8’ | Cor de Nuit 8’ | Gedeckt 8’ | |
Choir to Choir 16 | CONCERT FLUTE 8’ | Doppelflöte 8’ | Viole 8’ | Quintadena 8’ |
Choir Unison Off | VIOLE CÉLESTE II 8’ | Dulcet III | Muted Violins II 8’ | Principal 8’ |
Choir to Choir 4 | ERZÄHLER CÉLESTE II 8’ | Unda Maris II 8’ | English Diapason 8’ | |
Solo to Choir 8 | PRINCIPAL 4’ | Fugara 4’ | Muted Viols II 4’ | |
KOPPELFLÖTE 4’ | Flute d’Amour 4’ | Rohrflöte 4’ | ||
KLEIN OCTAVE 2’ | Doublette 2’ | |||
ZAUBERFLÖTE 2’ | Piccolo Harmonique 2’ | Waldflöte 2’ | ||
LARIGOT 1-1/3’ | Cornet III | Sesquialtera II | Cornet de Violes III | |
RAUSCHWERKE IV | Grave Mixtur IV | Kleine Mixture III | Sifflöte 1’ | |
MIXTURE V | Zimbel IV | Jeu de Clochette II | Neuvième 8/9’ | |
COR ANGLAIS 16’ | Corno di Bassetto 16’ | Rankett 16’ | ||
BASSON 8’ | Baryton 8’ | Trompettes II 16+8 | ||
CROMORNE 8’ | Clarinet 8’ | Dulcian 8’ | ||
TUBA IMPERIAL 8’ | Fanfare Trumpet 8’ |
Couplers | Engraved Stop | Voice Palette 1 | Voice Palette 2 | Voice Palette 3 |
---|---|---|---|---|
SOLO (Floating) | ||||
Solo Unison Off | GRAND DIAPASON 8’ | Cellos Celeste II 8’ | Major Diapason 8’ | Viol des Anges II 8’ |
FLAUTO MIRABILIS 8’ | Flûte Traversière Harmonique 8’ | Bourdon 8’ | Viole Chorus VI | |
MAJOR OCTAVE 4’ | Orchestral Flute 4’ | Flûte Harmonique 4’ | Cornet des Violes III | |
TIERCE MIXTURE X-VII | Grave Mixtur IV | Mounted Cornet V | ||
BOMBARDE 16’ | Tuba Magna 16’ | Dulzian 16’ | Orchestral Oboe 8’ | |
TROMPETTE HARMONIQUE 8’ | Tuba Mirabilis 8’ | Baryton 8’ | Vox Humana 8’ | |
FRENCH HORN 8’ | English Horn 8’ | Shalmei 8’ | ||
CLARINETTE 8’ | Quint Trompet 5-1/3’ | Regal 8’ | ||
CLAIRON HARMONIQUE 4’ | Tuba Clarion 4’ | Rohr Schalmei 4’ | ||
TROMPETTE EN CHAMADE 8’ | Tuba Imperial 8’ | Tuba Major 8’ | Llamadas II 16+8 |
Couplers | Engraved Stop | Voice Palette 1 | Voice Palette 2 | Voice Palette 3 |
---|---|---|---|---|
PEDAL | ||||
Great to Pedal 8 | GRAVISSIMA 64’ | Ophicleide Heroique 64 | Quinte 21-1/3' | |
Swell to Pedal 8, 4 | PRINCIPAL BASS 32’ | Montre 32’ | Contra Geigen 32’ | Erzähler Celeste II 32’ |
Choir to Pedal 8 | CONTRA BOURDON 32’ | Untersatz 32’ | ||
Solo to Pedal 8 | CONTRA BASS 16’ | Principal 16’ | Montre 16’ | |
SUBBASS 16’ | Unterbass 16’ | Bourdon 16’ | ||
BOURDON AMABILE 16’ | Quintaton 16’ | |||
VIOLONE 16’ | Cello Céleste II 16’ | Dulciana 16’ | Dulciana Celeste II 16’ | |
OCTAVE 8’ | Principal 8’ | Prinzipal 8’ | Octave 8’ | |
GEDACKT BASS 8’ | Flute Ouverte 8’ | |||
VIOLONCELLO 8’ | Cello Celeste II 8’ | Unda Maris II 8’ | Gemshorn 8’ | |
CHORAL BASS 4’ | Fifteenth 4’ | |||
NACHT HORN 4’ | Cor de Nuit 4’ | Unda Maris II 4’ | ||
MIXTURE IV | Hintersatz IV | Quinte Flute 10-2/3’ | Harmonics V | |
CONTRE BOMBARDE 32’ | Ophicleide 32’ | Bass Posaune 32’ | ||
BOMBARDE 16’ | Tuba Magna 16’ | Posaune 16’ | ||
TRUMPET 16’ | Fagotto 16’ | Basson 16’ | ||
TROMPETTE EN CHAMADE 8’ | Tuba Mirabilis 8’ | |||
TROMPETTE 8’ | Trumpet 8’ | Tuba Major 8’ | ||
CLAIRON 4’ | Clarion 4’ | Rohr Schalmei 4’ |
Size and Weight
Console dimensions: Height 1363.2 mm (53.67”); width 1806 mm (71.1”); depth with pedalboard 1357.1 mm (53.43”). Weight: 484MV 312 kg (688 lbs); 484LT 293 kg (647 lbs).
Adjustable Bench: Height minimum 620 mm (24.41”), maximum 696.5 mm (27.42”); width 1250.3 mm (49.22”); depth 434 mm (17.09”). Weight 39.5 kg (87 lbs).
Pedalboard: Weight: 43.5 kg (96 lbs).